If you consider using this system you need to have a sizable amount of cash and remarkable discipline to step away when you earn a small success. For the purposes of this story, a figurative buy in of $2,000 is used.
The Horn Bet numbers are surely not looked at as the "successful way to compete" and the horn bet itself has a house edge of over twelve percent.
All you are betting is 5 dollars on the pass line and ONE number from the horn. It doesn’t matter whether it’s a "craps" or "yo" as long as you gamble it always. The Yo is more dominant with players using this approach for clear reasons.
Buy in for two thousand dollars when you approach the table however put only five dollars on the passline and $1 on either the 2, three, eleven, or 12. If it wins, awesome, if it does not win press to $2. If it does not win again, press to $4 and then to eight dollars, then to sixteen dollars and following that add a $1.00 every subsequent bet. Every time you do not win, bet the previous value plus a further dollar.
Using this approach, if for instance after 15 tosses, the number you selected (11) has not been thrown, you surely should go away. However, this is what might happen.
On the tenth roll, you have a sum of one hundred and twenty six dollars on the table and the YO finally hits, you gain $315 with a gain of $189. Now is a perfect time to walk away as it is a lot more than what you joined the game with.
If the YO does not hit until the 20th roll, you will have a complete wager of $391 and because your current bet is at $31, you come away with $465 with your take being $74.
As you can see, adopting this approach with only a one dollar "press," your take becomes tinier the longer you gamble on without winning. That is why you should leave away once you have won or you should bet a "full press" again and then continue on with the one dollar mark up with each hand.
Carefully go over the numbers before you attempt this so you are very familiar at when this approach becomes a non-winning adventure rather than a winning one.